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Why retro porting house Dotemu launched its Arcade Crew publishing label Interviews & Opinion Oct 18th, 2019

Why retro porting house Dotemu launched its Arcade Crew publishing label

And how the company made Final Fantasy VIII Remastered without the original source code

Why Shovel Knight maker Yacht Club Games became a publisher Profile Aug 14th, 2019

Why Shovel Knight maker Yacht Club Games became a publisher

"We’ve discovered how tough a job publishing is, and we’ve had to work hard to develop that arm of the company"

Good Shepherd: More storefronts means a publisher's role has to change (again) Interviews & Opinion Feb 6th, 2019

Good Shepherd: More storefronts means a publisher's role has to change (again)

The indie publisher's producer Lélia Peuchamiel talks platforms, indie publishing and games that put prestige before profit

Why Stardew Valley publisher Chucklefish isn't in a rush to massively expand Interviews & Opinion Nov 13th, 2018

Why Stardew Valley publisher Chucklefish isn't in a rush to massively expand

Product manager Katkus and marketing strategist Ellis tell us about the studio is still releasing smaller-scale indie titles

Why The Walking Dead firm Skybound has started publishing games Interviews & Opinion Aug 28th, 2018

Why The Walking Dead firm Skybound has started publishing games

EMEA general manager Mark Stanger tells us what the company is looking to do in the games space

Why getting a new Velocity game made is proving impossible for FuturLab Interviews & Opinion Aug 24th, 2018

Why getting a new Velocity game made is proving impossible for FuturLab

Managing director James Marsden takes us behind the scenes to explain the challenges the developer has experienced and how this isn't the end of the world for the studio

Why Surprise Attack has rebranded as Fellow Traveller to focus on narrative games Interviews & Opinion Jul 24th, 2018

Why Surprise Attack has rebranded as Fellow Traveller to focus on narrative games

Managing director Chris Wright talks the shifting indie market and why publishers need to have a speciality

PC Connects London 2018: Meet the Speakers - Mike Rose, No More Robots News Jan 12th, 2018

PC Connects London 2018: Meet the Speakers - Mike Rose, No More Robots

Ahead of PC Connects London on January 22nd and 23rd, we have been speaking to some of the wonderful speakers who are going to be sharing their insight at the show.

Why Grand Theft Auto giant Take-Two is getting into indie publishing with Private Division Interviews & Opinion Dec 20th, 2017

Why Grand Theft Auto giant Take-Two is getting into indie publishing with Private Division

Earlier this month, Take-Two finally revealed its venture into indie publishing. After purchasing Kerbal Space Program developers in May 2017, the games giant revealed its new label, Private Division.

Coffee Stain’s journey from Goat Simulator studio to indie publisher Profile Nov 13th, 2017

Coffee Stain’s journey from Goat Simulator studio to indie publisher

In 2014, Coffee Stain was releasing comedy game Goat Simulator; now it is helping indies reach market

Good Shepherd: How to make games fun for developers AND investors Profile Sep 20th, 2017

Good Shepherd: How to make games fun for developers AND investors

Fresh after its rebrand from Gambitious to Good Shepherd Entertainment, PCGamesInsider.biz sits down with the company to chat investment and publishing

Data, enthusiasm and a personal touch: Mike Rose's vision for indie publisher No More Robots Profile Jul 28th, 2017

Data, enthusiasm and a personal touch: Mike Rose's vision for indie publisher No More Robots

How the media and indie publishing vet intends to crack the indie scene

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